Homecoming

or, What I Did on My Eight-Year Summer Vacation

One of the hazards of writing about yourself1 is that you feel you owe it to your readers to continue to be (a) moderately interesting, and (b) articulate about it. So when life gives you a long run of (a) or (b) but never (a) and (b), it seems like the wrong thing to steam ever onward like the Titanic of the blogosphere, foghorn blaring.

I had a lot of (a) for a while—a little too much and the wrong kind of (a), if I’m being honest. Deaths in the family, medical foofaraw, a move, several job changes. Yes: job changes. I left Merriam-Webster in March 2018 for very prosaic, normal-job reasons: new leadership, new policies I didn’t like. It became clear that I could stay and be a Merriam lexicographer, or I could leave and write books. An or, not and. It was an easy decision to make.

Not that I was prepared for the whiplash. I never planned on being a writer, though I loved it; I never planned on not being a lexicographer, and I hated it. In lexicography, I found something I was good at, something that made sense to me and of me. My weird hyperfixation on dead languages; my detail-oriented mind; my curiosity; my ability to withstand tedium like it was an Olympic sport—all of these found a home in lexicography. I found a home in lexicography. But a job is just a job: it will not love you back.

I did other things. I stayed dictionary-adjacent for a bit, overseeing projects for other dictionary publishers that I couldn’t talk publicly about; I edited; I showed up on the tee-vee to wax rhapsodic about the word “fuck.” I would come back to the blog every now and again and try to think of something trenchant or poignant or pissant to say about language and words. But I’d pull up my document of post ideas or start in on an old blog draft and find myself empty. That sparkling (sometimes), sharp (eh), overlong (there it is!) prose about dictionaries? From me, a person whose only take was that she wrote dictionaries, all past tense? In this economy?

Not that this economy didn’t offer lots of opportunities to spend some of that hard-earned vocabularic snark. I’d grab my morning coffee, scroll through the headlines, run into something unpresidented bigly, and my brain would gibber like it was stuffed full of angry weasels. Friends would ask, “OMG, did you hear what they/he/she said on the news,” and I’d try to make a nonchalant, noncommittal sound, only to sound like squealing brakes. Someone would repost the latest lexical inanity in the news—”warfighter,” “DOGE,” a link to one of the current president’s overwritten/underbrained social media posts—and tag me in it. “I wonder what Kory thinks of all this.” And what Kory generally thought was, “I’m so tired of being tired of this.”

And so while the world continued to throw buckets of linguistic (a) our way, I chose not to be (b). What I wanted was a steady supply of some goddamned whimsy, canned etymology-of-“pumpernickel” to get me through, something gloriously illogical and ridiculous and beautiful.

Here’s what I did during my eight-year hiatus from the blog: I chased and wrote about whimsy.

Y’all may remember a post I wrote a while back about the color definitions in Webster’s Third New International Dictionary, Unabridged. I stumbled on them while proofreading, and they are 100%, vitamins-added whimsy:

robin’s–egg blue n 1 : a variable color averaging a light greenish blue that is bluer and paler than average turquoise (see TURQUOISE 2a) or average turquoise blue and bluer and deeper than average aqua blue — compare robin’s egg
2 : a light bluish green that is greener and duller than average aqua green (see AQUA GREEN 1) and greener and paler than average turquoise green — called also bird’s-egg green, eggshell blue

Look carefully at this marvel of blue-green silliness. That first definition for “a variable color averaging a light greenish blue”: what does “averaging” mean here? How variable a color is it? If I call magenta “robin’s-egg blue” and grass green “robin’s-egg blue,” do those two “average” to “a light greenish blue”? Then all the faffing around near “turquoise” and “turquoise blue” (which are different…how?), and the note to compare this color with “robin’s egg,” which is evidently not the same color as “robin’s-egg blue”? How many different colors can robin’s eggs be? Evidently, at least two: “a light greenish blue” and “a light bluish green.” That clears that up.

If you think that’s confusing, take heart: at least you likely have some idea of what colors “turquoise” and “aqua” are:

a pale greenish yellow that is very slightly deeper than tilleul

What is “tilleul” exactly, apart from the name of Bon Iver’s next album? How much is “very slightly”? Please quantify—my tilleul, it’s too deep.

And then there are the names of the colors in the Third. “Aloma,” “pablo,” “freestone,” “dustyblu,” acres of “roses” (“rose taupe,” “rose red,” “rose pink”; “Caroline rose” and “rose marie”; “rose soireé” and “rose doreé”; “jack,” “wild,” “geranium,” “cherry,” “begonia,” and “carnation” roses; hundreds of them until your nose itches with the sense memory of summer allergies and your mind’s eye can’t see for all the flowers), “robin’s egg” and “robin’s-egg blue.” Thousands, all told, most of them colors I’ve never heard of, all of them evidently common enough in use to merit entry into one of the most famous dictionaries in American history.

I had to know more. Can you blame me?

And that, friends, is what I’ve been doing while the blog moldered and headed GeoCities-ward. I spent my free time chasing whimsy, diving into the weirdness of color, reading about science and physics and chemistry and war and illuminants and dyeworks and (yes) dictionaries, uncovering hidden stories of amazing people, and enjoying the hell out of it. Look! Look at what I made for you!

Good for what ails ya!

True Color is a different book than Word by Word—less essay, more story, 14 years in the making—but written in my smart-assed, over-researched, footnote-laden style.2 But it is, more importantly, the project that kept me tethered to words and brought me back to myself as a writer, lexicographer, and general goofus what loves and wants to yak about this stupid language, despite the mountain of horseshit that still generally abounds.

You can have it in your hot little hands on March 31, 2026, and you can read an excerpt on Longreads right this very goddamned second.

3

What’s next? More writing, obvi–for another book, yes, but also here. It took a while to unhook my writing self from my dictionary self; though the dictionary employee is gone, the lexicographer, with her big mouth and opinions, remains. There are important things to say about language, about communication, about motherfucking whimsy.

And, truth be told, I’ve missed this little self-manufactured corner of the internet. Writing is a solitary activity, but even when I’m alone in my office banging out some blah-bitty-blah, I find I’m writing to you, that person who found this dumb blog back in the Paleozoic era, when webrings ruled the earth, and kept reading. I’ve missed this thing we have. I’ve missed you.

  1. Even tangentially and sporadically, as has been done on this here outfit. ↩︎
  2. There is, I regret to inform you, very little swearing in this book. I tried! Alas, poor fuckwords! I knew them, Horatio. ↩︎
  3. What’s with the raccoons? You’ll have to read the new book, SAWREE. ↩︎

10 responses

  1. Edwin M. Stanton Avatar
    Edwin M. Stanton

    An unexpected but very welcome update!

    1. Huzzah. I’m glad you’re back!

  2. Yay!!! Pre-ordered!

  3. YES! I never gave up on this blog, and stayed subscribed to the RSS feed the whole time!

    Good to have you back. Can’t wait to read the book.

  4. Henry Ackerman Avatar

    I am currently burrowing through your tome and am enjoying it greatly. Color has been a topic on and off for me for some time now. Not in a mode overshadowing normality, but it seems to intrude into conversations and books often enough to give rise to more than a little suspicion on my part. In a conversation with friends at a dinner gathering, mention of hexadecimal designations and colorspaces arose, however briefly. Jasper FFords Shades of Gray (not 50) and Red Side Story built a fantasy world around colors and perception. (I am disappointed that Ishihara took a miss, though.) My feeble attempts at painting, the graphic arts class I took in college, photography… It seems that color is pretty much everywhere. As I said, I am still in the midst of your book and am enjoying it it immensely. It is at times a labor and at others it goes flowingly. I may have to purchase a copy of the last printed Merriam to browse. It will go nicely with my OED and give me an opportunity to play them off of one another. it also gives me a warm feeling to possess a printed work that has the heft of a broadsword.

    I heard about your book on NPR and immediately had to go buy a copy and unabashedly have no regrets. Plus, for some reason, your name seems to have already had a memory-referent in my mind, though I cannot for the love of (insert meaningful term here) discern why. At least I have a conscious reason now.

    If I survive to the end of your current missive to the lexicographical treatment of color, I will immediately undertake to read Word by Word.

    And, yes, I did skip to the epilogue, read the Illustration Credits (are the raccoons a favorite of Ansa’s?) , A Note About the Author, and A Note on the Type. Having run out of figurative squirrels, I have returned to the main text. I’m saving Notes, Bibliography, and Index for later.

    Thank you for writing this book. One of our sons is an author and I have a faint idea of the amount of work that goes into it. I appreciate your effort.I am currently burrowing through your tome and am enjoying it greatly. Color has been a topic on and off for me for some time now. Not in a mode overshadowing normality, but it seems to intrude into conversations and books often enough to give rise to more than a little suspicion on my part. In a conversation with friends at a dinner gathering, mention of hexadecimal designations and colorspaces arose, however briefly. Jasper FFords Shades of Gray (not 50) and Red Side Story built a fantasy world around colors and perception. (I am disappointed that Ishihara took a miss, though.) My feeble attempts at painting, the graphic arts class I took in college, photography… It seems that color is pretty much everywhere. As I said, I am still in the midst of your book and am enjoying it it immensely. It is at times a labor and at others it goes flowingly. I may have to purchase a copy of the last printed Merriam to browse. It will go nicely with my OED and give me an opportunity to play them off of one another. it also gives me a warm feeling to possess a printed work that has the heft of a broadsword.

    I heard about your book on NPR and immediately had to go buy a copy and unabashedly have no regrets. Plus, for some reason, your name seems to have already had a memory-referent in my mind, though I cannot for the love of (insert meaningful term here) discern why. At least I have a conscious reason now.

    If I survive to the end of your current missive to the lexicographical treatment of color, I will immediately undertake to read Word by Word.

    And, yes, I did skip to the epilogue, read the Illustration Credits (are the raccoons a favorite of Ansa’s?) , A Note About the Author, and A Note on the Type. Having run out of figurative squirrels, I have returned to the main text. I’m saving Notes, Bibliography, and Index for later.

    Thank you for writing this book. One of our sons is an author and I have a faint idea of the amount of work that goes into it. I appreciate your effort.

  5. Bonnie M Rivers Avatar
    Bonnie M Rivers

    Absolutely fantastic book. I just read it. I picked it up in the “new books” section at the library because I’ve always been a “color” person and thought it might be interesting, but I had no idea how the author was going to approach the subject. Imagine my surprise and pleasure when it combined elements of science, history, language, and best of all, biography. Kudos to Kory.

  6. The paragraph that is page 31 is all the reason anyone needs to read this book. Brilliant piece of writing — going down the rabbit hole of color with the best possible tour guide for the journey.

  7. Have you seen the recent article in the New Yorker about color perception?

  8. Please write and publish a competing dictionary.
    The name Stamper impressed and gilded across the bottom of a hardback dictionary seems too great an opportunity to pass up.
    Mostly because it would be performed by some sort of stamping process, and not be the author actually named Stamper.
    You can exclude all of the colors you’ve already covered here if you prefer. I think there are paint companies that can send binders for that. With better and more descriptive definitions for your eyes, assuming your color blind status provides for those descriptions.
    Your freedom was the correct choice, and I don’t like that a corporation gave you such an ultimatum.
    My recommendation would be to start out small. Select a certain number of words to appear in your first edition, 150 for example, and then write the first 150 words that come to mind as they come to mind and write your definition and etymology for them as you remember it, without consulting other dictionaries. It would certainly be a challenge. Let the audience be your editors for the second edition, and so on. Just don’t name the first 150 Pokémon, no matter how many times you’ve listened to the Pokérap, if that is any times at all. That’s all I can ask of you. Maybe 150 was a bad example. 150 per letter? X would become difficult for me, then; Xylophone, Xenophobia, Xenomorph, Xenoestrogen, X-factor, and I’m spent. I guess X-rated as well, now that I think about it. And X-ray. And Xenu I think. Do proper nouns count? I think they could.

  9. Oh, by the way, you won’t find me asking any explanation for the raccoons.
    Washbears are justified enough in their own existence.

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