We regularly receive letters from people who want an editorial job at M-W and ask for more information on lexicography. It’s my job to answer those letters. Here is the response I wish I could send.
Thank you for your interest in becoming an editor at Merriam-Webster. I am happy to share some information on the field of lexicography with you.
There are only three formal requirements for becoming a Merriam-Webster editor. First, we respectfully ask that you be a native speaker of English. I think I should break this to you now, before you begin shopping for tweeds and practicing your “tally ho what”: we focus primarily on American English. It’s not that we don’t like British English and its speakers. Indeed, we have an instinctual, deep love for any people who, upon encountering a steamed pudding with currants in it for the first time, thought, “The name of this shall be ‘Spotted Dick’.” But since we are the oldest American dictionary company around, and we are located in a particularly American part of the world, we feel it’s best to play to our strengths.
Second, we ask that you have a degree from an accredited college or university. It needn’t be an advanced degree, nor does it need to be a linguistics degree. Dare I say it? I dare: most of us got degrees in things other than linguistics. While you are gasping in outrage, incredulity, and a little bit of disdain, allow me to say that all Merriam-Webster lexicographers end up dealing with words from a wide variety of fields–economics, business, physics, math, cooking, music, law, ancient hair-care techniques, and so on–and it helps to have a cadre of trained experts in those fields who will look up at you dolefully from their own defining batch when you too-nonchalantly wander over to their cubicle and ask them for their opinions on “EBITDA.”
If you feel that this information on degrees is so broad as to be unhelpful, know that we seem to collect medievalists for some reason. Our costume parties are awkward, rare, and yet entirely historically accurate.
Third, you must be possessed of sprachgefühl. This is an innate sense of the rhythm of language, as well as one of those delicious German words you’ll hear thrown around the office a bit (but not as often as you’ll hear “weltschmerz”). How do you know if you have sprachgefühl? You don’t know. Even if you think you might have it, you won’t really know if you are possessed of it until you’re here, letting the sentence “It’s time to plant out the lettuce” pad around inside your head, paying careful attention to how it rubs up against the language centers of your brain. Sprachgefühl is also evidently one of those things, like eyesight and hearing, that can dull with overuse: after several decades of working here, you will find that occasionally you go a little deaf as regards the natural rhythm of English, and you’ll trudge to your car at the end of a very long Thursday convinced that you are actually a native speaker of some weird Low German dialect and not English.
It’s okay if sprachgefühl eludes you; once you make this life-changing discovery, you are free to quit and pursue a career where your average weekly wage will not be a buck-fifty and as many Necco wafers as you can nick from the receptionist’s candy bowl at the end of every work day.
Those are the formal requirements for a job here. I would add these caveats regarding the lexicographical lifestyle:
1. In addition to sprachgefühl, it is also a good idea to be possessed of what the late lexicographer Fred Cassidy called “sitzfleisch.” Lexicography is so sedentary a calling that it makes load-bearing walls look busy by comparison.
2. It is not a good idea to come in thinking that you are All That as regards grammar and usage. You will have to set aside your grammatical prejudices in light of evidence, and if you are nothing but swagger and self-aggrandizement, then you will fall particularly hard the first time the Director of Defining tells you it’s totally idiomatic to use “nauseous” to mean “feeling sick.” Swagger and self-aggrandizement are not part of the lexicographer’s idiom. Fidgeting, social awkwardness, and a penchant for bad puns are.
3. “I knew that the work in which I engaged is generally considered as drudgery for the blind, as the proper toil of artless industry; a task that requires neither the light of learning, nor the activity of genius, but may be successfully performed without any higher quality than that of bearing burdens with dull patience, and beating the track of the alphabet with sluggish resolution.”
Heed the words of His Cantankerousness Samuel Johnson, the patron saint of the lexicographer. This passage is excerpted from his 1747 letter to the Earl of Chesterfield in which Johnson proposes writing a new dictionary of the English language. “Bearing burdens with dull patience,” “beating the track of the alphabet with sluggish resolution”–and that’s what he thought before he started writing his dictionary.
It may well be that none of this dissuades you. That’s fine: slight derangement is not grounds for disqualification from a career in lexicography.
You should know, however, as you move forward in your search that jobs in lexicography are few and far between. Our late Editor in Chief used to tell people it was just a matter of being in the right place at the right time. This is so vague as to be maddening, so I am happy to clarify: it is a matter of being in one of the offices of a dictionary company just as the Editor in Chief says, “I think we may need to hire some more lexicographers.”
Take heart: one of my coworkers wrote once every three months for over a year about editorial jobs until finally our Director of Defining hired her. She’s a fabulous editor and we are lucky to have her. She also has a linguistics degree. All God’s critters got a place in the choir.
It’s worth noting that, though lexicography moves so slowly it is technically a solid, it is nonetheless changing. New online tools mean that you have more information at your fingertips, which means you must engage that sprachgefühl a lot more and know how to use a computer. (You’d be surprised.) Modern lexicographers have the luxury of writing for an online medium, where space is not at a premium and no one has to proofread the dictionary’s end-of-line breaks in 4-point type on blue galleys ever, ever again. When I came on, all new editorial hires were required to read and take extensive notes on the front matter to Webster’s Third New International Dictionary, Unabridged. This is no longer required, thanks to the tireless work of Amnesty International. And, of course, we’re allowed to talk inside the building now.
I hope this information, while not particularly encouraging, is helpful. If you are still interested, against all better judgment, in a career in lexicography, do feel free to send us your cover letter and resumé. We will keep it on file for a year, occasionally taking it out to marvel at your enthusiasm and shake our heads in wonder.
kory stamper 
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